Frequently asked questions.

Synchouse is your music career on autopilot. The platform reads live opportunities from music supervisors, matches them against your catalogue, scores how ready your tracks are, and helps you pitch the right music to the right people: briefs, discovery, feedback and placements, all in one place.

Independent artists, producers and songwriters who want sync placements (TV, film, ads, games) without a plugger, a manager, or a luck break. You keep your rights and your masters. We are the bridge between your catalogue and the people choosing music.

A sync brief is a request from a music supervisor, the person choosing music for a real production, describing exactly what they need: mood, tempo, references, deadline. New briefs land each month. You read them, pick the ones your catalogue genuinely fits, and submit.

One number that tells supervisors how much friction sits between your track and the screen. It counts what's actually there: metadata, deliverables, alternate versions. If something's missing, the score says which thing. Fix that one thing and it moves. Some extras genuinely don't apply to every artist, so mark those N/A and they stop counting against you.

Muse is the assistant inside Synchouse. Show it a brief and it tells you honestly whether your record fits. Ask it to draft the pitch and it writes it. Check your score with it, fix your metadata, plan your week. It works best with a direct task.

Discovery lets you reach the people briefs don't surface: supervisors, A&R, publishers, the names that usually only appear in credits. Find the person who chooses music for the thing you watch, and send them the track you'd play them if you had one meeting.

That's up to you. Sync is one lane, not the whole road. Festival discovery gets your name in front of bookers; radio outreach opens stations that actually spin emerging artists. Pick the lanes you want and the platform pulls those opportunities forward.

Three plans, billed monthly:

• Starter: £10.99/month confirm
• Growth: £19.99/month confirm
• Pro: £24.99/month confirm

Every membership starts with a 3-day free trial. Cancel before the trial ends and you pay nothing.

Sign up, add your card, and you get full access for 3 days. We tell you 24 hours before the trial ends. If you cancel before then, you're charged nothing. If you stay, your first payment happens on day 4 and renews monthly.

Yes. One click, no email, no exit interview. Your membership runs to the end of the paid period, then stops. We don't charge after that.

Completely. Synchouse claims no ownership of your music, your masters, or your publishing. When a track lands a placement, the agreement is between you and the licensee. confirm: any placement commission? if none, say so plainly

For UK artists, that usually means PRS for Music (publishing) and PPL (recording) registration. The platform links you straight to the right one for your country from onboarding. If you're in the US, ASCAP, BMI or SESAC. Registration is free and takes minutes; the platform shows you the exact link.

Only if briefs ask for them, and not every brief does. Anything that doesn't apply to you, mark N/A and it stops affecting your score.

A real person listens. Tracks that fit go to the supervisor who wrote the brief. You see every comment, shortlist and pass in your account. You're not pitching into the dark.

It unlocks when your plan goes live and the community icon turns green on your dashboard. Free-trial members see it greyed out. It opens a direct invite to the private members' group.

Anyone who promises placements by a date is selling something. What we can promise: live briefs, honest feedback, and a platform that gets faster the more complete your catalogue is. The artists who get placed submit deliberately, week after week.

Email hello@synchouse.ai - confirm or reply to any Synchouse email; a human reads it.